|
|
|
The Crossroads at the Eagle's Nest, Forest of Fontainebleau Painting ID:: 10491
|
Charles-Francois Daubigny The Crossroads at the Eagle's Nest, Forest of Fontainebleau 1844Oil on canvas
|
|
|
|
|
|
|
|
Sluice in the Optevoz Valley Painting ID:: 10492
|
Charles-Francois Daubigny Sluice in the Optevoz Valley 1854Oil on canvas
Museum of Fine
Arts, Houston
|
|
|
|
|
|
|
|
The Water's Edge Painting ID:: 10493
|
Charles-Francois Daubigny The Water's Edge 1856Oil on canvas
Mount Holoyoke
College Art Museum
South Hadley,
Massachusetts
|
|
|
|
|
|
|
|
The Water's Edge Painting ID:: 10494
|
Charles-Francois Daubigny The Water's Edge 1856Oil on canvas
Mount Holoyoke
College Art Museum
South Hadley,
Massachusetts
|
|
|
|
|
|
|
|
Ferry at Glouton Painting ID:: 10495
|
Charles-Francois Daubigny Ferry at Glouton 1859Oil on panel
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Charles-Francois Daubigny
|
French Barbizon School Painter, 1817-1878
was one of the painters of the Barbizon school, and is considered an important precursor of Impressionism. Daubigny was born into a family of painters and was taught the art by his father Edmond François Daubigny and his uncle, miniaturist Pierre Daubigny. Initially Daubigny painted in a traditional style, but this changed after 1843 when he settled in Barbizon to work outside in nature. Even more important was his meeting with Camille Corot in 1852 in Optevoz (Is??re). On his famous boat Botin, which he had turned into a studio, he painted along the Seine and Oise, often in the region around Auvers. From 1852 onward he came under the influence of Gustave Courbet. In 1866 Daubigny visited England, eventually returning because of the Franco-Prussian war in 1870. In London he met Claude Monet, and together they left for the Netherlands. Back in Auvers, he met Paul Cezanne, another important impressionist. |
Related Artists::. | BECCAFUMI, Domenico | George Loring Brown | BEHAM, Hans Sebald | |
|